Thinking about My Baby
Willa: As Joie mentioned last week, the idea for this blog grew out of a long series of emails we were exchanging back and forth. We were having a wonderful time sharing ideas and comparing notes about Michael Jackson’s work, and we each really enjoyed talking with someone who knew his work and cared about it as much as we did. One thing she and I discovered over the course of our emails is that we’re both fascinated by My Baby, and have been for a long time.
Joie: You all know who she is; you have heard Michael sing about her for years. She is presumably the girl of his dreams, the woman who knows him and loves him and truly cares about him. She’s also the woman who is constantly hurt time and time again by other devious, “bad girls” who throw themselves into Michael’s orbit like in “Billie Jean,” “Dirty Diana,” and “Dangerous.”
Willa: She’s a very important figure in Michael Jackson’s work, appearing on album after album, from Triumph and Thriller in the early 1980s to Invincible in 2001. And, as Joie says, she’s almost always hurt or threatened in some way. In fact, we often see her walking away in tears.
Joie: What draws my attention to her, I guess, is the fact that Michael sings about her as if she is someone who has been in his life for a long time. Even though her appearance on the songs I just mentioned – and others – is usually brief, we get the feeling that she is incredibly important to him. He loves her and he clearly wants to protect her from the ‘wicked women,’ he sings about in “Heartbreak Hotel,” (a.k.a. This Place Hotel). We see him constantly fretting over the fact that she will be hurt somehow by the “bad girls” and that they will drive her away from him.
Someone’s always tryin’
to start My Baby cryin.’
Talking, squealing, lying,
saying you just want to be startin’ somethin.’
It’s almost as if he’s describing a relationship that has seen its share of ups and downs. They’ve been through this sort of thing before and My Baby always ends up hurt. At least, in the early years of their relationship – in the 1980s and ’90s. But by 2001’s “Heaven Can Wait,” it’s clearly a much different relationship. Here we see that My Baby not only loves him and cares about him, but now she trusts him too; she has faith in him. Their relationship is solid and no one can come between them anymore. Together, they are a force to be reckoned with and it’s the greatest love affair either of them has ever experienced. He loves her so deeply that he doesn’t want to leave her for an instant – not even for heaven!
Oh no, can’t be without My Baby.
Won’t go, without her I’ll go crazy.
Oh no, guess Heaven will be waiting.
It’s really interesting to me that their union changes over time. The way he writes about her grows and matures over the years just as if it were a real relationship. We see the initial infatuation in songs like “The Way You Make Me Feel,” and “Streetwalker,” and we watch it grow and blossom in songs like “Black or White,” and “Fly Away.” And then we see the culmination of their love on the beautiful “Heaven Can Wait.”
Willa: As Joie says, in his early albums, she’s threatened by another woman. My Baby seems to be a private person who knows and cares about the protagonist, though she avoids the limelight and seems somewhat uncomfortable with his fame. He loves her and tries to protect her, but she’s repeatedly hurt by another woman who wants to push her out and take her place. This second woman doesn’t really know him or care about him, but she’s much bolder than My Baby and is actually attracted to fame, the protagonist’s fame – in fact, she’s something of an adventurer. The protagonist recognizes all that and distrusts her. Yet at the same time, he finds himself strangely drawn to this other, bolder woman.
Joie: And his relationship with this other woman is just as interesting as his relationship with My Baby. It’s almost like you can’t have one without the other. Like they are two halves of the same coin, so to speak.
Willa: I agree. The recurring conflict between these women is very interesting. There’s obviously something very important going on here – something Michael Jackson explored and wrestled with for years. I think that’s one reason I started seeing My Baby as representing more than just a romantic relationship. To me, My Baby and the other woman seem to represent his shy side versus his public side, or his private life versus his public life, with the intrusions of the media and intense public interest in him threatening to destroy his private life, just as that bold other woman threatens to drive away My Baby. Or these two women could represent his muse – the woman of myth who has quietly inspired artists’ creativity for centuries – and the audience and critics who kept demanding that he create another Thriller and just wanted him to sing “Billie Jean” over and over again for the rest of his life. But it’s not an either/or situation. While I see these other interpretations, I still see My Baby as a woman who knows him and cares for him, and provides for him emotionally as well.
Joie: My Baby is fascinating on so many levels and when Willa and I discovered that we were both very interested in her – and her nemesis – we were really surprised. I think it was then that we really started to talk in earnest about doing a blog together because we were curious as to whether or not we were the only two people out there who had ever wondered about this particular topic. So, we intend to look at My Baby more closely in the coming weeks. Our plan is to look in depth at different songs in which she is featured and talk about what/who she is and what Michael was trying to tell us through her.
Willa: And again, our goal with this blog is to create a place where a community of people can come together and share their interpretations of Michael Jackson’s work and what it has meant to them at different times – because interpretations do evolve over time. And it’s ok if we disagree – even passionately disagree – as long as we’re respectful about it. To be honest, I disagree with myself sometimes! Sometimes I see My Baby as a person, sometimes I see her as symbolic, and lots of times I see her as both. And I love that ambiguity. To me, that’s one of the things that makes Michael Jackson’s work so rich – that it can mean so many different things at different times to different people. So let us know what you think, and what My Baby means to you. We’d love to hear from you, either here or on our Facebook page.
Posted on August 14, 2011, in Michael Jackson and tagged Billie Jean, Dangerous, Dirty Diana, Heartbreak Hotel, Heaven Can Wait, Invincible, Michael Jackson, Thriller, Triumph. Bookmark the permalink. 17 Comments.