Summer Rewind 2014: Can You Feel It?

Welcome to Summer Rewind 2014! Over the next few weeks, we’ll revisit some posts from this past year that we think deserve a second look. The following conversation was originally posted on August 29, 2013. To read the original post and comments, please click here.

Willa: Hi Joie, welcome back! Did you have a good break, despite all the controversy this summer?

Joie: Yes, I actually had a great summer! I did a lot of traveling for family weddings and such, which can sometimes be very stressful, you know? And as far as the controversy, I really just did my best to avoid it all. I didn’t watch a single news clip about the AEG trial. It was very liberating and refreshing to bury my head in the sand and pretend it wasn’t happening. You?

Willa: That’s funny, Joie – you’ve always been so informed about everything, and I’ve gotten most of my Michael Jackson news from you! What will I do now?

So I had a really fun summer also. We went to Yellowstone, which is so beautiful, and saw a huge bull moose and a grizzly bear and a black bear and a pair of sandhill cranes, and lots of elk and bison. It was wonderful. And I didn’t avoid the news, but I didn’t seek it out either. I figured if anything important happened, it would filter its way through the fog. It seems to me that at times like these I need to stay focused on what’s meaningful and nourishing to me, which is his art, and remember why Michael Jackson and his work are so important.

Joie: I think you’re right, Willa. It is important to go back and rediscover the magic, so to speak.

Willa: Exactly. And you know, we’ve talked a lot over the past two years about his music and dancing and films, as well as the way his public persona – even his face and the color of his skin – became an important element of his art. But we still haven’t taken an in-depth look at some of his most iconic films – films like Beat It and Billie Jean and Smooth Criminal. We’ve touched on them, but we haven’t really settled in with them the way we did with You Rock My World or In the Closet or Give In to Me. So one of my goals for this year is to get back to basics and take a close look at some of those classic films, and it seems to me a good place to start is Can You Feel It.

Joie: I would love to talk about Can You Feel It.

Willa: Oh good! I would too. It’s the first film where he’s listed as a producer and creative consultant – as it says in the credits, this film was “conceived and written by Michael Jackson” – and you can really feel his creative input throughout. He wrote the song with his brother Jackie, recorded it with The Jacksons, created the concept for the film, and then helped carry that vision through to completion. Here’s a remastered version that’s really wonderful, I think:

Joie: You know, Can You Feel It, to me has always been sort of like the mother of Michael Jackson’s video genius. It really was kind of the short film that started it all. And you can see from the very beginning that making short films was going to be an area where he was going to excel. It was just spectacular. If you watch it now, you’ll undoubtedly think that some of the special effects are pretty cheesy. But you have to remember that it was created back in 1980, and at that time, those special effects were cutting edge.

Willa: Well, maybe I’m kind of cheesy because I like those special effects, especially in the opening sequences. And I think it’s true that in many ways this is “the mother of Michael Jackson’s video genius,” as you said – not only because of the visuals but because of the ideas as well. We see the seeds of concepts that will resonate throughout his work for the rest of his career.

Joie: That’s very true.

Willa: And these are not small concepts either – they are immense in both scale and importance. He’s already thinking about how to bring about significant social change on a global scale. For example, Can You Feel It begins with images of a mythical landscape and a deep voice telling us a creation story:

In the beginning, the land was pure. Even in the early morning light, you could see the beauty in the forms of nature. Soon men and women of every color and shape would be here too, and they would find it all too easy sometimes not to see the colors and ignore the beauty in each other. But they would never lose sight of the dream of a better world that they could unite and build together in triumph.

The song hasn’t even started yet, but we already see evidence of Michael Jackson’s deep love of nature, and how he links that love of nature with racial equality, social justice, and love for one another.

Joie: And the idea of working together to make the world a better place (for you and for me and the entire human race). You’re right, Willa. We hear all that before the music even begins. And as you said, those are concepts that would stick with him throughout the rest of his career and resurface on album after album.

Willa: That’s true, and it’s all there in that initial creation story. But you know, what really caught my attention when I watched Can You Feel It recently is that it then goes on to tell a “re-creation” story – a story of a new creation or transformation, or rather a series of new creations and transformations – and it does so in a way that feels very Biblical to me. You know the Bible much better than I do, Joie, but it begins with a creation story also. Here are the first lines of Genesis:

In the beginning God created the heaven and the earth. And the earth was without form, and void; and darkness was upon the face of the deep. And the Spirit of God moved upon the face of the waters. And God said, Let there be light: and there was light. And God saw the light, that it was good. …

And God made the beast of the earth after his kind, and cattle after their kind, and everything that creepeth upon the earth after his kind: and God saw that it was good. And God said, Let us make man in our image, after our likeness: and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth. So God created man in his own image, in the image of God created he him; male and female created he them. …

And God saw everything that he had made, and, behold, it was very good.

So both the Bible and Can You Feel It begin with a story of creation: “In the beginning …” And this world that is created is beautiful but not perfect, because people aren’t perfect. In fact, in Genesis, only a few chapters after the initial creation story, we read that people have become so “corrupt” and “full of violence” that God decides to wipe them out and start over. Only one righteous man and his family are spared, along with a representative pair of each kind of animal. So in the story of Noah’s Ark we have a re-creation story: a flood washes over the surface of the earth and destroys everything, and then that destruction is followed by a new beginning.

We see echoes of that in Can You Feel It. Immediately after the initial creation story, the music begins and we see one of those special effects you were talking about, Joie – an image of water washing over the entire world. So as with Noah’s flood in the Bible, the earth is being washed clean of corruption and violence, and we are about to experience a re-creation as we begin to move toward “a better world.”

And then we see something interesting: Randy Jackson’s character lifts a rainbow over his head. This is Biblical also. In the Bible, God promises that he will never again destroy his creation through flooding, and he creates a rainbow as proof of that promise. As God tells Noah, “I have set my rainbow in the clouds, and it will be the sign of the covenant between me and the earth. Whenever I bring clouds over the earth and the rainbow appears in the clouds, I will remember my covenant. … Never again will the waters become a flood to destroy all life.”

Joie: That’s true, Willa. And you know, we also see that in many of the creation stories of Native Americans. I’ve always enjoyed reading the creation myths of various tribes, and many of them have this same sort of re-creation theme to them that you’re talking about. Like the Sioux for instance. Here is part of their creation story:

The Creating Power said to himself, “l will sing three songs, which will bring a heavy rain. Then I’ll sing a fourth song and stamp four times on the earth, and the earth will crack wide open. Water will come out of the cracks and cover the land.” When he sang the first song, it started to rain. When he sang the second, it poured. When he sang the third, the rain-swollen rivers overflowed their beds. But when he sang the fourth song and stamped on the earth, it split open in many places like a shattered gourd, and water flowed from the cracks until it covered everything. …

So after the flood comes the rebirth, or re-creation:

The Creating Power said to them, “The first world I made was bad; the creatures on it were bad. So I burned it up. The second world I made was bad too, so I drowned it. This is the third world I have made. Look: I have created a rainbow for you as a sign that there will be no more Great Flood. Whenever you see a rainbow, you will know that it has stopped raining.”

Here’s a similar tale from the Cree:

After the Creator had made all the animals and had made the first people, he said to Wisakedjak, “Take good care of my people, and teach them how to live. Show them all the bad roots, all the roots that will hurt them and kill them. Do not let the people or the animals quarrel with each other.”

But Wisakedjak did not obey the Creator. He let the creatures do whatever they wished. Soon they were quarreling and fighting and shedding much blood. The Creator became very angry.

“I will take everything away from you and wash the ground clean,” he said.

Still Wisakedjak did not obey the Creator. He did not believe until the rains came and the streams began to swell. Day after day, and night after night, the rains continued. The water in the rivers and the lakes rose higher and higher. At last they overflowed their banks and washed the ground clean. The sea came up on the land, and everything was drowned except one Otter, one Beaver, and one Muskrat.

The narrative, of course, goes on to the rebuilding of the earth. But, we see this notion of a Great Flood over and over again in the creation stories and myths of the varying Native tribes of America, and I find it fascinating. And, you’re right, Can You Feel It is telling a very similar tale here.

Willa: Wow, that’s so interesting, Joie! I’ve read quite a few American Indian trickster tales, but not too many creation stories – though in some cases, the trickster is the creator of all things. I didn’t realize some of those creation stories had a flood that washed the earth clean of wickedness. And it’s interesting that in the Sioux story, there’s a rainbow “as a sign that there will be no more Great Flood.” You can really see how some archetypal stories are told again and again, across time and across cultures. But there are some important differences between them also.

You know, Michael Jackson was raised in the church, so I assumed the origin of those ideas in Can You Feel It was Biblical, but now I’m reconsidering that. After all, the landscape is clearly the American southwest with its mesas and arches, and that supports your interpretation, Joie. And near the end, a tribal elder steps forward, and he has a look of knowing in his eyes. He seems awed by the vision in front of him, like all the other spectators, but he also seems to understand what’s happening in a way the others don’t. So I really think you’re onto something.

Also, there’s the image of a new race – a golden race – springing forth from a blue watery globe, like the earth. Later we see a face inside a powerful ring of fire, like the sun, and it’s a female face. To me, that supports your interpretation also since Christianity is very male-centered, with power and authority centered in God the Father, while older, more Earth-centered modes of spirituality tend to be more female-centered, with a focus on Mother Nature as the giver of life.

Joie: Well, I really wasn’t offering any sort of “interpretation,” Willa. Only an observation.

Willa: Well, it’s a different way of seeing things – a different approach or context for interpreting what’s happening.

Joie: But it is very interesting, isn’t it? And I like what you said about Christianity vs. Native beliefs. It does seem to tie right in.

Willa: It does, doesn’t it? And it’s interesting how it also ties in with a deep love and respect for nature, which is something Eleanor Bowman talked about when she joined us in a post last spring.

So all of these creation stories and re-creation stories suggest a yearning for enlightenment, in a way. It’s like the physical world was formed perfect and good, and so were our bodies, but our minds are easily corrupted by envy and greed and hatred and violence. So we need to reach a state where our hearts and minds, our compassion and understanding, are as perfect as the physical world we were given to inhabit. We see this yearning in Can You Feel It also, in the emergence of the golden people. But what’s interesting is that when the first golden person appears about halfway into the video, s/he is being sprinkled with golden stardust – and that stardust is also sprinkling down on a lot of everyday people, who then develop a golden glow as well. So those golden people aren’t some new race in the future. They’re us!

And it seems important to me that the stardust is coming from the hands of the Jacksons, who appear golden also, but kind of translucent, like supernatural figures, and they’re taller than skyscrapers. And these towering golden figures are sprinkling golden stardust on everyone.

Joie: Almost as if they are the creators, or the tricksters, in this creation tale they’re telling.

Willa: Oh, that’s interesting, Joie! I hadn’t thought about it that way, but that’s really intriguing. And you know, the Jackson really were creators in a literal sense – they were creators of music and dance and art.

It seems to me that, in Can You Feel It, Michael Jackson is predicting a major transformation and cultural change – a change that will lead to an enlightened way of living together in harmony, and “loving each other wholeheartedly.” And I think the golden stardust the Jacksons are sprinkling about is music and art. That’s what artists give to the world, and that’s how they bring about transformation and social change.

Joie: Ah! I like that interpretation, Willa! Very nicely done! And it makes perfect sense.

Willa: It does make perfect sense, doesn’t it? He’s so brilliant – I just love looking at his work and seeing all the details, and then thinking about how those details fit together. He never fails to amaze and inspire me.

But I want to get back to this idea of the Jacksons as creators. You know, one of the many criticisms leveled against Michael Jackson was that he had a messiah complex – that he thought he was the second coming of Christ or something like that – and critics point to examples like Can You Feel It as evidence of that. But I think that’s an overly simplistic interpretation that leads to misunderstanding.

Throughout Michael Jackson’s work, we see him developing a new definition of art and an expanded vision of the role of the artist. He believed artists had the power to bring about deep social change by changing perceptions and attitudes, prejudices and emotions. For example, artists have the power to use their art to rewrite our cultural narratives – like our myths and creation stories – so we see ourselves and our relation to each other in a new way.

That’s how Michael Jackson hoped to change the world – through music and art. But that doesn’t mean he saw himself as a messiah. Instead, he saw himself as an artist – but it’s a far greater definition of “artist” than we’re used to. And importantly, he imagined a world where we are all artists, where we all share “the dream of a better world that we could unite and build together in triumph.”

Joie: I think you’re absolutely right, Willa.

About Dancing with the Elephant contributors

Joie Collins is a founding member of the Michael Jackson Fan Club (MJFC). She has written extensively for MJFC, helping to create the original website back in 1999 and overseeing both the News and History sections of the website. Over the years she conducted numerous interviews on behalf of MJFC and also directed correspondence for the club. She also had the great fortune to be a guest at Neverland. She has been a Michael Jackson fan since she was three years old. Lisha McDuff is a classically trained professional musician who for 30 years made her living as a flutist, performing in orchestras and for major theatrical touring productions. Her passion for popular musicology led her to temporarily leave the orchestra pit and in June 2013 she received a Master’s degree in Popular Music Studies from the University of Liverpool. She’s continuing her studies at McMaster University, where she is working on a major research project about Michael Jackson, with Susan Fast as her director. Willa Stillwater is the author of M Poetica: Michael Jackson's Art of Connection and Defiance and "Rereading Michael Jackson," an article that summarizes some of the central ideas of M Poetica. She has a Ph.D. in English literature, and her doctoral research focused on the ways in which cultural narratives (such as racism) are made real for us by being "written" on our bodies. She sees this concept as an important element of Michael Jackson's work, part of what he called social conditioning. She has been a Michael Jackson fan since she was nine years old.

Posted on July 3, 2014, in Michael Jackson and tagged , , , , , , , , . Bookmark the permalink. 1 Comment.

  1. Thank you. I enjoy all your articles.

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