Blog Archives

One More Look at One More Chance

Joie:  So, you know how sometimes you get this idea in your head about something and your mind is made up. But then you stumble upon new information and suddenly that thing you were so certain about just takes on brand new meaning? Well, that’s what happened to me and my view of Michael Jackson’s One More Chance video.

This time
Gonna do my best to make it right.
Can’t go on without you by my side.
Come and rescue me out of this storm
Get out of this cold, I need someone.
(If you see her)
Tell her this for me:
All I need is
One more chance at love….

This R. Kelly ballad is a really beautiful song sung to perfection by Michael, and when it was released on 2003’s Number Ones, I loved it instantly. And after Michael died and the Estate announced that they would be including the long-lost video for this song on the much anticipated Vision box set, I was ecstatic that we would finally get the chance to see Michael’s last short film.
But once the video collection was released and I eagerly sat down to devour it, my excitement was short lived. I have to admit, I did not love the video. I didn’t even like it. Not even a little bit. Where was Michael? The setting was gorgeous and romantic, the premise – with the audience on the stage – was unusual and intriguing, the song was beautiful and one of my favorites. But where was Michael in the video? It was all seemingly shot either totally from behind him or at really weird angles, his face – and therefore, his amazingly expressive eyes that I love – completely hidden from view. And in fact, the video even sparked some debate at MJFC as to whether it was even Michael at all. Perhaps it was merely a body double, a really good MJ impersonator! I was so disappointed. Just between you and me… I often get into my comfy sweats, fire up the DVD player and snuggle in with my Vision box set when I have a free afternoon. But honestly, the One More Chance video was one that I would frequently skip over.
And then recently I stumbled upon an article published just after the Vision box set was released in November of 2010. The article was written by journalist Charles Thomson and titled, “One More Chance: The Dream That Turned into a Nightmare.” Now I have to make a confession here:  this article actually came across my inbox shortly after it was published but, things have a way of getting very busy for me with MJFC and my everyday life (and now I’m dancing with elephants too!) so, I set it aside with the intentions of reading it later. Well, “later” turned into much later and, I’m ashamed to say, I just recently found it sitting in my “To Do” folder. So I took a few moments and read it. And boy…. did it change EVERYTHING!
In writing this article, Charles Thomson researched the video thoroughly, speaking to Michael’s publicist and his manager at the time as well as several of the crew members and extras who worked on the video, and in doing so, he gives us a peek into where Michael Jackson’s life was at the time this video was created. And it is that context, that knowledge that puts this entire video in a whole new light for me. I look at the video with new eyes now and, whereas before it really held no connection for me at all, now I have such an emotional attachment to this video and it holds so much meaning for me.

Willa:  That is so interesting, Joie. My initial response to the One More Chance video was much more positive than yours, though I know what you mean about “where’s Michael?” And my response to Thomson’s article was much less positive. I appreciate all the background information Thomson provides, and it’s definitely an article worth reading, but I thoroughly disagree with his interpretation and assessment of this video.  

Like you, I thought “One More Chance” was a beautiful love song and was eager to see the video, and like you I watched it as soon as the Vision DVDs came out. And I was surprised – it wasn’t at all what I was expecting – but I loved it. As often happens with Michael Jackson’s videos, it led me to completely rethink my ideas about this song and opened up a whole new way of interpreting it. Now I see “One More Chance” as much more than a love song. Responding to it as a beautiful love ballad is still there for me and still valid, but other interpretations have become apparent to me as well. And frankly, I think Thomson’s interpretation completely misses the boat.

In his article Thomson writes rather critically of the video’s concept:

The song was a yearning ballad about lost love in which Jackson pleaded with an ex-girlfriend for “one more chance at love.” The video would feature a unique role reversal in which an audience would stand onstage and watch Jackson as he performed the track in an empty, upscale nightclub, hopping banisters and jumping on tables. The set-up seemed to have little correlation with the song and appeared to be more of a comment on the press and public’s perpetual invasion into Jackson’s privacy – a common theme in the star’s videos – essentially showing a crowd of bystanders watching over Jackson in an intimate, off-stage moment, transfixed by his heartbreak.

Thomson is right to some extent:  if we see “One More Chance” simply as a love song, then the video doesn’t make much sense and the “set-up seem[s] to have little correlation with the song.” But I disagree with Thomson’s interpretation. I don’t think the point of this video is show “a crowd of bystanders . . . transfixed by his heartbreak.” Jackson doesn’t treat the on-stage audience in this video like intrusive voyeurs, that isn’t the mood he creates here – the mood is much more celebratory than that – and that isn’t what this video says to me. As you know, Joie, I’m all for multiple interpretations, and I think any interpretation is valid as long as it can be supported by evidence from the work, but I see very little evidence to support Thomson’s interpretation.

But what if we approach this video like the My Baby songs and view it more metaphorically? In his videos, Michael Jackson frequently parallels the relationship between a man and his lover with that of a performer and his audience. What if we view One More Chance that way? What if he isn’t talking to an ex-girlfriend, but to us, his audience? What if he’s telling us, his audience, that the false allegations and misunderstandings and years of bad press have been terrible for him – it “Hurts so bad sometimes it’s hard to breathe” – but he’s ready to try again, despite everything, and he wants us to give him “one more chance?”

As Thomson writes in his article, Michael Jackson made this video at an important turning point in his life. He was planning to make a fresh start in film, and saw this as a new beginning to his career. So maybe he’s telling us, his audience, that “This time / Gonna do my best to make it right.” Maybe the reason he set up the video with an audience on stage is because he’s talking directly to us, his audience, when he says “All I need is / One more chance.” If we view it that way, this video makes perfect sense. And the fact that the police raided his home the very next day is heartbreaking.

Joie:  It is heartbreaking. Thomson explains that with “One More Chance” – the single and the video – Michael was fulfilling his contractual obligations to Sony and CBS. Once they were completed, Michael was done. He was freeing himself from his contract with Sony and preparing to move on to bigger and better things. He was tired of touring and he wanted to venture into the realm of film. Ironically, something he tried to do in 1993 but couldn’t once the first allegations happened. So, in the video, that last shot of him turning his back on the audience and walking out of the frame with a smile on his face, was very symbolic of the transition he was about to make. He was walking away from the music industry and walking toward his long-harbored dreams of making movies. All he needed was “one more chance.”
And, in answer to my question of “where is Michael,” Thomson tells us that the video was purposely shot from behind Michael in order to track his movements more fluidly. The following day, they were all set to capture the frontal shots and close ups of Michael doing his thing. But that never happened because the following morning came the bad news that the police were raiding the Neverland Ranch for the second time. And I can’t help but think of the lyrics to the song itself:

‘Bout to strike and rain only on me.
Hurts so bad sometime its hard to breathe.

I imagine those lyrics mirror what Michael must have been feeling when he got the news and realized that his dreams were being snatched away for the second time.

Willa:  Those are good points, and I really do appreciate all the background information Thomson provides. It’s really deepened my understanding of this video. Maybe I’m being a little hard on Thomson simply because One More Chance has become very special to me. Just the idea of Michael Jackson in pain but ready to try again and asking us for “one more chance” is incredibly poignant. And then the conclusion of the video is so moving, and very motivating for me personally. At the end, he has left the room, but his audience is still on stage. It’s up to us now. He’s no longer here, but we are – we’re the ones left on stage – and we’re the ones who have to act to preserve his legacy and “help these mysteries unfold.”
Joie:  I think you are being hard on Thomson. I don’t think he really offered any sort of interpretation of the video at all. I think he was merely just giving us the set up, explaining the premise, if you will. But I don’t think his one-sentence assessment of the premise of the video was ever intended to be viewed as an interpretation.
But I do understand your readiness to defend something you love. As you said, this particular video has become very special to you so, wanting to explain it and possibly make others love it as much as you do is only natural. I feel the same way about a certain ballad from the Michael album that you and I violently disagree on but, we’ll save that for another discussion!

Willa:  Joie! That is just wicked. You really aren’t going to let me forget about that are you? Oh well, I guess I deserve it. (Heavy sigh). You really are just too funny sometimes. . .
Joie:  Sorry, I couldn’t resist. But this video is as special to you as that song is to me so, I understand how you feel about it.
Willa:  So here’s some exciting news. Joie is flying to Montreal this morning to see a sneak preview of Cirque du Soleil’s tribute to Michael Jackson – The Immortal World Tour and next week she’ll tell us all about it!